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With the URSA, the camera operator can turn up, rig the camera on the gantry with a big lens and the studio viewfinder, and we can control it all remotely. Then they can very quickly unclip the studio viewfinder and the big lens and put on a small monocular. “That’s not suitable for then taking it off the mount and putting on your shoulder and going and shooting an interview. “Normally on matches we would use a Sony HDC-4300 with a big box lens on it and a big viewfinder,” he continues.
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“So, we needed a camera that could both be a camcorder for recording interviews and also switch seamlessly into being a full OB camera. “We could have used some other camera, but when we’re covering football, we do everything from a single camera match to a four- or six-camera match,” says McDonnell.
Timeline chose the URSA Broadcast as the workhorse camera for its remote WSL coverage, a broadcast camera that comes equipped with a 4K image sensor and ⅔in B4 lens mount and is capable of recording to SD cards.
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We worked with Blackmagic to get all the information and then designed our own hardware and wrote our own software to allow us to fully rack the camera from Ealing over the public internet.” “We would have a camera operator on site, but the engineer who did the colour balance and the exposure and the setup of the camera would be in our Broadcast Centre in Ealing. “We wanted a solution to do remote production football which was cost-effective,” says Timeline managing director Daniel McDonnell. Primarily designed for the BT Sport coverage of last season’s Women’s Super League (WSL – the highest English women’s football league), Timeline developed a H.265 based 4G bonding and IP transmission solution based around the URSA Broadcast camera from Blackmagic Design and the Blackmagic 3G-SDI Shield for the Arduino minicomputer.
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One such is Timeline TV with bases in London and MediaCityUK, which as well as providing remote production services using global fibre connectivity, has developed both lightweight and mobile systems for this purpose. WSL: Used Timeline to make remote production cost effectiveĮven before Covid-19 had such a seismic effect on broadcasting, facilities companies were working on innovative ways to control live productions remotely.
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